The end's not near, it's here.

Yes, the end is here. Thanks to Band of Horses for the title. And I think I've saved the best to last, well what I think is super pretty. 

This is for You by Rob Ryan was published in 2007, and when it first came out I pleaded with my sister, working at vicbooks at the time, to buy it for me. Being the loving sister, she did. And it is beautiful. Here's a picture of the dust jacket and book itself. The book explores themes of love and loneliness, and the prominent colours on the covers help to emphasis this. The thing that first caught my eye with this book with the bright red pinned against a very white background. As well as this, the cut-out nature of the book intrigued me. As did the endorsement by Sophie Dahl; the same cut-out lettering has been used for the endorsement, and she's pretty awesome - writing and modelling and stuff. The continuation of the red to the back cover is also a nice way to continue a theme. 
Before you ask, no I did not take this picture upside-down. When you take the dust jacket off, this is how the book looks - upside-down. I don't know if mine's an awkward dud or if this is how it's supposed to be - I've never seen another copy. But anyway, the red theme has continued through from the dust jacket, which makes me happy - red is the colour of love, people, and that's what this book is all about. If I saw this book on the shelf, without it's jacket, I'd still pick it up. The simplicity of the cover alone is enough to intrigue me, plus the bell on the front is pretty cute.

To the inside! Well almost the inside, to the end papers and dust jacket flaps! I'm a very sentimental person, and a bit of a hopeless romantic, so the first thing I saw when opening the book was the left-hand flap here. I love it. The typeface is the same as the cover - a handmade sans-serif that's actually pretty easy to read when you take the time. This isn't a book to rush through, the pages can be confusing, as you'll see soon. The endpapers are beautiful too, it's the first time I've seen ones that incorporate the actual title of the book into the pattern. 

As an illustrated book, there are no page numbers, which is nice. Each page does stick to a frame, as you'll see in later pictures. Ryan sticks to the margins, probably so no picture is wrecked if the cutting goes wrong. The green of this page stands out wonderfully, like the red, against the white stock. The green also tied in nicely to the leaves in this spread, as the man walks and thinks. The text is in the same all caps as the cover and flaps, enforcing his walking and thinking and making it super easy to read. So simple, and so lovely. 

This is probably the hardest spread in the book to read. The pages mirror each other, as a son and mother talk. The colours compliment each other, while reflecting the gender of each character. The typeface is still the cutout style and a sans-serif, however it's in lowercase and much harder to read. This comes back to this being a book you read because you want to know what it has to say. It may make you work hard, but it's worth it.

Here's another full page spread. You can even see the stitches for the binding - still good quality. This has the easy-to-read all caps sans-serif, and really is just a beautiful page. You can see in this spread, and the previous one, the way Ryan does keep inside the invisible margins. By being consistent, it helps the reader to become familiar (to a basic level) with how each page will be laid out. I also like they way 'that' is stretched out over the two pages, there's no effort on his cutting to cram it or unbalance the heart.

I just wanted to throw this spread in because it shows the theme of loneliness that's explored with love through the book. The first time I looked at it, I read 'I am not alone' but missed the 'And I wrote and wrote'. Ryan's ability to create a stunning piece of visual art that acts as great narrative too. This is one of the pages that you can actually see that the images are Ryan's cutout pieces of paper - bottom right-hand corner. Not sure if it's intentional, but it adds to this spread, since he tells the reader nothing's gonna happen until you start, and he started cutting and clearly never stopped. He has a store even!

Last spread I promise! It's the last pages of the book, so it kinda has to be anyway... I love that he's kept the fun cut-out for the dedication, while switching to a more traditional sans-serif for the imprint. It makes it super easier to read, and this is important information for some people. As with most illustrated books, the imprint appears at the back of the book. It doesn't disrupt the flow of the book, and since most people reading this book won't actually need to know this information, it makes the most sense.
I see new things in This is for You every time I look at it, which is exactly what a good book should offer - continuous learning.


Man, this post has the best design ever! So proud of myself, it's only taken a few posts to get the hang of blogspot... But anyway, that's it from me about book design, my scrapbook is due in today. Unless something looks super awesome, then maybe I'll share it with you.


Until next time,
K.

Awesome? Well, clearly.

Michael Chabon, a name most commonly associated with The Amazing Adventures of Kavalier and Clay, The Mysteries of Pittsburgh and Wonder Boys. As I looked through vicbooks the other day for books to take pictures of, I came across his name in the in the children's section. 

Illustrated by Jake Parker, HB, 2011, HarperCollins Children's Books.

Yes, The Astonishing Secret of Awesome Man with Moskowitz the Awesome Dog. Crazy man for a dog. The use of colour on the cover, and throughout the book for that matter, is fantastic. Awesome, one might say. The yellow and red in the title tie in nicely to Awesome Man's sweet outfit. The darker Space background helped enhance the colours of Awesome Man, while they've used a nice insert for his dog. The simplicity of the image on the back of the cover is nice, taking away from the busy front a bit. Also the mere three lines about Chabon is great, no need to flaunt his success. 

End papers

Title page

For a children's book, attention to detail, I think, is key. I'm sure most children don't let you skip pages when reading to them, and the end papers are a great example of pages that don't have to look pretty but the effort is definitely worth it. They are very simple, using different images of Awesome Man and repeating them, but it's enough to catch the eye and make you want to stop and look at them.
The title page captures Awesome Man in all his glory. The typeface of the title is very classic in terms of comic books and superheroes in general. Of course he's holding it up because 1. that's just awesome, and 2. it makes complete sense for kids to love him. The colours come through from the front, and the black strip along the bottom creates a 3D element to the image, as well as enhancing the colour for the author and illustrator's names.

Here are a couple of sample pages. The text colour changes depending on the background image. This is a great idea, especially for illustrated books, not to stick to conventions but go wherever the book needs to go. The black stands out perfectly in the first picture due to the bright colours (it's hilarious, click on it, and read it). The bottom picture uses white perfectly for the darker image. The whole book uses a sans-serif typeface, which, like I've mentioned before, is perfect for kid's books. This sans-serif is simplistic and nicely spaced, making it easy for a child to follow and read themselves. The pages themselves are wonderfully designed; the first uses boxed information really well to create a methodical and easy way to read the book, while the second runs left-to-right, up-down giving a logical rhythm. 

Imprint

I really enjoyed this page, with the dedications are in keeping with the superhero/comic book feel of the book. You'll find the imprint for most children's books in the back of the book, I'm not 100% sure why this is. But the red background here links to the end papers (look back up), and the black sans-serif typeface stands out well again here. 


Lots more to come (assignments due super soon!),


K.